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Classical concerts featuring
Georges Delnon

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Quick overview of musician Georges Delnon by associated keywords

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Upcoming Concerts

Concerts featuring Georges Delnon in season 2024/25 or later

January 25, 2025
Artistic depiction of the event

Die Kreide im Mund des Wolfs

Sat, Jan 25, 2025, 19:00
Gordon Kampe (Musik), Dieter Sperl (Text), Georges Delnon (Szen. Einrichtung), Tim Anderson (Musical Director), Klaus-Peter Kehr (Dramaturgie), Georg Nigl (Soloist), Philharmonisches Staatsorchester Hamburg (Orchestra)
Bernhard Lang's Playing Trump 2021, a contemporary composer, traces the words of a despot, collected in peacetime and set to music during wartime. The rhetoric of power shamelessly inverts murderous plans, elevating hypocrisy and blatant lies to principles. The libretto by Dieter Sperl exposes the contradictions and justifications for war.
January 28, 2025
Artistic depiction of the event

Die Kreide im Mund des Wolfs

Tue, Jan 28, 2025, 19:00
Gordon Kampe (Musik), Dieter Sperl (Text), Georges Delnon (Szen. Einrichtung), Tim Anderson (Musical Director), Klaus-Peter Kehr (Dramaturgie), Georg Nigl (Soloist), Philharmonisches Staatsorchester Hamburg (Orchestra)
Bernhard Lang's Playing Trump 2021, a contemporary composer, traces the words of a despot, collected in peacetime and set to music during wartime. The rhetoric of power shamelessly inverts murderous plans, elevating hypocrisy and blatant lies to principles. The libretto by Dieter Sperl exposes the contradictions and justifications for war.
January 30, 2025
Artistic depiction of the event

Die Kreide im Mund des Wolfs

Thu, Jan 30, 2025, 20:00
Gordon Kampe (Musik), Dieter Sperl (Text), Georges Delnon (Szen. Einrichtung), Tim Anderson (Musical Director), Klaus-Peter Kehr (Dramaturgie), Georg Nigl (Soloist), Philharmonisches Staatsorchester Hamburg (Orchestra)
Bernhard Lang's Playing Trump 2021, a contemporary composer, traces the words of a despot, collected in peacetime and set to music during wartime. The rhetoric of power shamelessly inverts murderous plans, elevating hypocrisy and blatant lies to principles. The libretto by Dieter Sperl exposes the contradictions and justifications for war.
February 1, 2025
Artistic depiction of the event

Die Kreide im Mund des Wolfs

Sat, Feb 1, 2025, 20:00
Gordon Kampe (Musik), Dieter Sperl (Text), Georges Delnon (Szen. Einrichtung), Tim Anderson (Musical Director), Klaus-Peter Kehr (Dramaturgie), Georg Nigl (Soloist), Philharmonisches Staatsorchester Hamburg (Orchestra)
Bernhard Lang's Playing Trump 2021, a contemporary composer, traces the words of a despot, collected in peacetime and set to music during wartime. The rhetoric of power shamelessly inverts murderous plans, elevating hypocrisy and blatant lies to principles. The libretto by Dieter Sperl exposes the contradictions and justifications for war.
February 2, 2025
Artistic depiction of the event

Die Kreide im Mund des Wolfs

Sun, Feb 2, 2025, 15:00
Gordon Kampe (Musik), Dieter Sperl (Text), Georges Delnon (Szen. Einrichtung), Tim Anderson (Musical Director), Klaus-Peter Kehr (Dramaturgie), Georg Nigl (Soloist), Philharmonisches Staatsorchester Hamburg (Orchestra)
Bernhard Lang's Playing Trump 2021, a contemporary composer, traces the words of a despot, collected in peacetime and set to music during wartime. The rhetoric of power shamelessly inverts murderous plans, elevating hypocrisy and blatant lies to principles. The libretto by Dieter Sperl exposes the contradictions and justifications for war.
May 24, 2025
Artistic depiction of the event

Die Illusionen des William Mallory

Sat, May 24, 2025, 19:30
Rodolphe Bruneau-Boulmier (Komposition), Kent Nagano (Musical Director), Inge Kloepfer (Text), Georges Delnon (Inszenierung), Marie-Thérèse Jossen (Costume), Ralf Waldschmidt (Dramaturgie), Mitglieder des Philharmonischen Staatsorchesters Hamburg (Orchestra)
At the zenith of his career as a board member of a major corporation, disaster suddenly befalls the former working-class son William Mallory. He crashes over a scandal and no longer understands the world. With suicidal thoughts, he fables on the couch with his psychiatrist about the stages of his rise. An opera as a chamber play that begins quietly, only to soon unroll the great themes of life - a parable about rise and fall, identity and betrayal, appearance and fate. In the end, Mallory realizes that his own illusions have brought him down. In the end, he no longer even knows whether it was an illusion that he once began his rise as a good man. Musical Direction: Kent Nagano Staging: Georges Delnon Costumes: Marie-Thérèse Jossen Dramaturgy: Ralf Waldschmidt The rise and fall of an underdog based on a true story An opera in three pictures Libretto by Inge Kloepfer
May 25, 2025
Artistic depiction of the event

Die Illusionen des William Mallory

Sun, May 25, 2025, 16:00
Rodolphe Bruneau-Boulmier (Komposition), Kent Nagano (Musical Director), Inge Kloepfer (Text), Georges Delnon (Inszenierung), Marie-Thérèse Jossen (Costume), Ralf Waldschmidt (Dramaturgie), Mitglieder des Philharmonischen Staatsorchesters Hamburg (Orchestra)
At the zenith of his career as a board member of a major corporation, disaster suddenly befalls the former working-class son William Mallory. He crashes over a scandal and no longer understands the world. With suicidal thoughts, he fables on the couch with his psychiatrist about the stages of his rise. An opera as a chamber play that begins quietly, only to soon unroll the great themes of life - a parable about rise and fall, identity and betrayal, appearance and fate. In the end, Mallory realizes that his own illusions have brought him down. In the end, he no longer even knows whether it was an illusion that he once began his rise as a good man. Musical Direction: Kent Nagano Staging: Georges Delnon Costumes: Marie-Thérèse Jossen Dramaturgy: Ralf Waldschmidt The rise and fall of an underdog based on a true story An opera in three pictures Libretto by Inge Kloepfer
May 31, 2025
Artistic depiction of the event

Die Illusionen des William Mallory

Sat, May 31, 2025, 20:00
Rodolphe Bruneau-Boulmier (Komposition), N. N. (Musical Director), Inge Kloepfer (Text), Georges Delnon (Inszenierung), Marie-Thérèse Jossen (Costume), Ralf Waldschmidt (Dramaturgie), Mitglieder des Philharmonischen Staatsorchesters Hamburg (Orchestra)
At the zenith of his career as a board member of a major corporation, disaster suddenly befalls the former working-class son William Mallory. He crashes over a scandal and no longer understands the world. With suicidal thoughts, he fables on the couch with his psychiatrist about the stages of his rise. An opera as a chamber play that begins quietly, only to soon unroll the great themes of life - a parable about rise and fall, identity and betrayal, appearance and fate. In the end, Mallory realizes that his own illusions have brought him down. In the end, he no longer even knows whether it was an illusion that he once began his rise as a good man. Musical Direction: Kent Nagano Staging: Georges Delnon Costumes: Marie-Thérèse Jossen Dramaturgy: Ralf Waldschmidt The rise and fall of an underdog based on a true story An opera in three pictures Libretto by Inge Kloepfer
June 1, 2025
Artistic depiction of the event

Die Illusionen des William Mallory

Sun, Jun 1, 2025, 15:00
Rodolphe Bruneau-Boulmier (Komposition), Kent Nagano (Musical Director), Inge Kloepfer (Text), Georges Delnon (Inszenierung), Marie-Thérèse Jossen (Costume), Ralf Waldschmidt (Dramaturgie), Mitglieder des Philharmonischen Staatsorchesters Hamburg (Orchestra)
At the zenith of his career as a board member of a major corporation, disaster suddenly befalls the former working-class son William Mallory. He crashes over a scandal and no longer understands the world. With suicidal thoughts, he fables on the couch with his psychiatrist about the stages of his rise. An opera as a chamber play that begins quietly, only to soon unroll the great themes of life - a parable about rise and fall, identity and betrayal, appearance and fate. In the end, Mallory realizes that his own illusions have brought him down. In the end, he no longer even knows whether it was an illusion that he once began his rise as a good man. Musical Direction: Kent Nagano Staging: Georges Delnon Costumes: Marie-Thérèse Jossen Dramaturgy: Ralf Waldschmidt The rise and fall of an underdog based on a true story An opera in three pictures Libretto by Inge Kloepfer